LIVE MUSIC THEATER.
CREATION 2012. SHOW 0
Where it is a question of twenty years of walking, the goal of the century marked by Maradonna in 1986, a live nightly tweet, a requiem for dead authors, the G8 2001 in Genoa, the difficulty of defining this That is a smeared, a lonely walk in the desert and the utility of the touch rewind on the video projector, among others.
SHOW 0
Molière the integral ... precedes the creation of LImite Larsen Theater. Produced in 2012 by Compagnie Voix Public, it allowed the artistic encounter of Céline Ottria and Hugo Musella, the setting up of a new working protocol and the beginnings of a common artistic identity around contemporary writing and the music. The show was thus constructed as a profession of faith of what became the Limit Larsen Theater. Zero show, then. Not our first creation but the one that created us.
MOLIÈRE THE INTEGRAL
Coming in, you will attend in a little more than an hour to the integral of Molière ... Or not. It is true, Moliere, all his life, wrote about the manners of his time with the (sharp) words of his time. Rather than gently parodying the insolence and brio of his theater by replaying it in this language that has become foreign to us, let us walk in his committed footsteps! Let's write! Our language reflects our times, our cultures, our history, our modern myths. Let's make it dance! For this "theater concert," our painted canvases will be projections; Our candlesticks, searchlights; Our orchestras will hold in our electric guitars; Our units of place, of time, of action, will be multitudes, and our language will be that of to-day.
ON THE SCENE
With humor and derision, the show raises the question of its own existence in relation to the time in which it is played. In so doing, he questions the relationship that we all, artists and spectators, maintain with the legacy of classical theater, with our culture, with our language in perpetual motion ...
Like storytellers who go from one story to another or singers who string various pieces, we use our voice to tell the audience stories that reflect the world as we live it: beautiful, tragic , Moving, derisory. We are all actors of this world, we create it. In turn, the way it turns shapes us.
"We are this footballer whose crowd is a televised god. We are the whole world matting on a screen the Orient bombed. We are this woman dying in the carcass of her car. We are this sailor carrying towards her whom he loves the offering of his adventures. We are under the windows of the Comédie Française this pathetic beggar. We are this condemned staggering towards the electric chair, this anti-G8 demonstrator in Genoa, executed by the police, this mute author, this madman in his desert ... "
